Writting An Iviting Narrative In A Dating Site

admin  6/15/2022
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My heart believes this is true.

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A young woman sits on a chair outside a café in Fargo, North Dakota. It’s summer and lunchtime in a college neighborhood. Groups of friends, co-workers, romantic couples all enter or exit the café, yet this woman is alone. She is elegantly dressed. She does not watch the men and women who walk or linger near her chair. Her gaze is down the street. It’s possible she’s watching someone walk away or taking a seat to rest after some difficult conversation. It’s more likely she’s waiting for someone to arrive. She wears a wedding ring. Perhaps a friend. Perhaps a date.

I am lucky to get a photograph.

Why do I find the picture of this woman compelling? She is the only one on the street this day who seems to be living a question. I don’t know any of the people who walk by her, they are as mysterious to me as Europa, but looking at them I also don’t wonder. I know their stories well enough. This woman, though, wants something, waits for something. I have no idea what that something may be. She opens a space for me to wonder.

Writing An Inviting Narrative In A Dating Site Interview

I am told there is no such thing as single-image narrative photography. There are moving pictures, yes. Movies can tell a story. And a series of photos can tell a story as people and things in the pictures change places—even a diptych will be enough. But a single image is, by definition, “still” photography. Still is the opposite of narrative, right?

Wrong.

Permit me to come at this from a different point of view. I remember reading, somewhere in high school, a wonderful short story written by Ring Lardner about 1925 titled “Haircut.” The story is a monologue by a barber, written in the second person (“you”) as if you—the reader—are in the barber’s chair and he’s telling you stories. However, you realize very soon that the barber doesn’t get it. He is either morally blind or just plain dense. Very soon you—the reader—understand more than any information that’s actually on the page. So here is a question—where is the story? A literary critic would tell you the real story is in the reader’s head. I remember being thrilled when I realized what a reader was actually doing and there are actually as many versions of “Haircut” as there are people who have read it.

In literary studies there is a whole field called ”Reader-response” that takes up this question. The reader/viewer/listener is central to art-criticism in every form. And we can expand how we understand the act of taking photographs from listening to our colleagues who are writers, musicians, painters, dancers.

As a writer, I have learned about the cadence of sentences from my years as a drummer. As a photographer, I have learned about composition from my years as a writer, populating stories and essays with minor characters, subplots, settings, dramatic tension. In writing, these elements all enhance the narrative.

This is important because so many people believe there is no such thing as single-image narrative photography. I disagree. Not only do I think the single-image can be narrative, I think to believe so changes everything about how we can seek out and compose a photograph.

Think about the famous Steve McCurry photograph ”Afghan Girl.” Why is that picture so compelling? It’s a headshot—nothing more. The traditional garb is a nice touch, yes. And she’s got great eyes. Technically, the lighting is nice and the cropping highlights the eyes. All pretty normal stuff. But we cannot stop looking at that picture. Why?

The reason is all the information we—the viewers—bring to the photograph. This is a young woman in Afghanistan, during war, in a place that does not value women. We think she looks afraid, worried, terrified. Of what might happen? Of what she’s already seen? Both? We don’t know—and that not knowing is exactly the point. We fill in the narrative with our own understandings. The power of the photograph is not only in the photograph itself. That photograph provokes a type of wondering I am going to call narrative.

Think of another icon, the 1947 Robert C. Wiles photo of Evelyn McHale after she had jumped from the observation deck of the Empire State building. Her body crushed the top of a limousine, yet she looks perfectly composed. Her face looks serene. Her clothes are unruffled. Why is this photo so good? In our minds, the distance between how she looks and what we’re really seeing needs to be resolved. We can’t help but wonder who she was, what brought her to despair, what caused her to jump. Intuitively, we believe we would have liked this woman. We try to imagine her life. We create a narrative that may or may not be true—that part doesn’t matter. Looking at the photo, we tell ourselves a possible story.

Think of the painting, ”Landscape With the Fall of Icarus,” by Pieter Bruegel. We know the Icarus and Daedalus story, but the painting catches us by surprise. That tiny little splash in the corner is not how we imagined it would be. We are forced to create a new, more detailed, more troubling narrative. And who is this guy in the center of the frame, head down, tilling his field, who is missing everything? What we think we knew is completely redone.

Think of the Edward Hopper painting ”Nighthawks.” Who are these people? How did they come to be there? We linger, wondering, creating a story.

Narrative does not mean drama. A picture of an eagle grabbing a fish out of some lake is dramatic and engaging, but there isn’t a bit of that story we don’t already know. Likewise, narrative does not mean the ability to create a deep emotional response. A picture of some wonderful mountain range will always make me pause, mostly because I live on the flatland prairie, and a picture of a supercell thunderstorm or a person hanging over a chasm will make me inhale and wish I was there, but I don’t wonder when I look at those photos as much as I feel.

Writers talk about narrative using terms like “forward motion.” And for photography I think that’s close, though it would be easy to think every picture of someone running or otherwise at speed is a narrative, which I think is wrong. The wonderful (and now cliché) picture of someone leaping over a puddle shows someone in motion but usually fails to make the viewer wonder what came before, what comes after, and why. In writing, we talk about the difference between anecdote and story. An anecdote is only what happened. Guy leaps over puddle and makes it or does not. A story is why that moment is important. A story takes that leap and puts it in the context of some larger, deeper question.

So often about the best photography we say the photographer “caught a moment.” We invoke Henri Cartier-Bresson and the inevitability of a decisive moment. Listen to those words: “caught” implies motion in some larger, ongoing story; “decisive” implies a moment of change, of import, of history in a narrative arc that begins before the photograph and continues after—not present in the image but certainly present in the mind of the audience. Nothing about any single-image can be called “decisive” unless we have an awareness of the larger narrative.

To say there is something called “narrative, single-image photography” does not diminish other types of photography. In fact, it is likely a mistake to think of narrative photography as something separate from the other types. It’s best to think of narrative as a potential element of all photography. A studio portrait can have a narrative element, even if it’s very small. (Quick: why do we love the Mona Lisa? Maybe because we wonder about the motivation for her smile—we are compelled to create a narrative.)

Landscape photos can have a narrative element, as can architectural and nature pictures. A meteorologist may see in a thunderstorm photo a whole world of forces moving, twisting, changing, creating a narrative none of the rest of us see. Certainly, street photography and photojournalism have the most innate possibilities for stories, but they can just as easily serve only as evidence or anecdote. Think of photos from Iraq and Vietnam. And then think of photos from Barcelona or Rio. Photojournalism often offers an act of storytelling. Street photography’s narratives rely on either inherent mystery or on the viewer’s understanding of context.

So, here is what my heart believes: narrative photography is the ability—and intent—to photograph an open question. To quote Kurt Vonnegut, speaking about writing: “Every character should want something, even if it is only a glass of water.” As photographers, it’s possible to capture that wanting.

Narrative photography is the intent to capture a question and invite the viewer to wonder the world of possible answers.

—W. Scott Olsen


W. Scott Olsen is a professor of English at Concordia College in Moorhead, Minnesota, where he also edits the literary magazine Ascent. His most recent book is A Moment with Strangers: Photographs and Essays at Home and Abroad.

Are you planning to visit any of the Schengen countries for a visit or holiday? you will need a sponsorship letter or letter of invitation for Schengen visa. The Schengen countries are the most difficult to enter due to their stringent visa application processes in the world. Aside from your supporting documents, you will need to write a cover letter, invitation letter or submit a sponsorship letter to the embassy in your country to even qualify for the visa.

In this article, you will learn about sponsorship letter for Schengen visa, how to write a sponsorship letter for Schengen visa application, the tone of the letter of invitation, what it is for, and sample sponsor letter to the consulate.

Contents

  • 5 Components of the Sponsorship Letter

What is a Visa Sponsorship Letter

A sponsorship letter for a visa or visa invitation letter is a document that a citizen or a permanent resident can provide a foreign citizen with to enable them to get a tourist visa to a country that they are citizens of.

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Normally, a sponsorship letter is sent by someone who is either a relative or a very close friend. But a letter of sponsorship can also be sent by an organization based in the country you intend to visit.

The letter of sponsorship needs to comprise of a lot of important information that is detailed on this page.

Reasons Why You Should Write a Sponsorship Letter for Visa Application

There are six reasons why your Schengen Visa application may be rejected:

  1. You do not have a convincing reason for travel to the Schengen states.
  2. You don’t provide proof of funds or a credible credit record
  3. You furnish incomplete or unacceptable documents for verification
  4. There is concern that you may not return to your country of origin
  5. You do not have travel insurance documents in your name or the travel insurance is insufficient
  6. There are processing errors during the filing of the visa application form.

The first four reasons stated above can be easily taken care of with the help of a visa sponsorship letter. In the letter, you can include the entire information which the embassy seeks, in a completely transparent way, to ensure that your visa application is accepted.

How to Write a Sponsorship Letter for Schengen Visa Application

One of the most important documents that you need to submit for the Schengen visa application is the sponsorship letter. Most at times, you may not have the sponsorship letter mailed to you by your loved one residing in the Schengen country. During these times, writing the visa sponsorship letter yourself seems like the best and only option.

If you haven’t done this before, writing the sponsorship letter for the Schengen visa can be a challenge. To help you write a good sponsorship letter, we have provided you with everything you should know and look out for when drafting a sponsorship letter for visa.

The tone of the Sponsorship Letter

The sponsorship letter is similar to the Visa application cover letter, with a single difference being that this letter is written by the sponsor, instead of you, the traveler.

Since the sponsorship letter comes from the sponsor himself/herself, you will need to write the letter in the third person narrative and use words like ‘he’, ‘she’ and ‘they’. Basically, the letter should be similar to a letter written by a third-party for you.

Importantly, while you can write the sponsorship letter yourself, the signature added at the end of the letter needs to be bona fide and genuine. Forging someone else’s signature is a crime punishable by law and you need to make sure that you provide verifiable evidence that the sponsor has genuinely signed and dated the letter.

Make sure you email the letter to your loved one and get the signature necessary. Although a printout of the digital signature will suffice, its best practice to have the original document with the signature mailed to you.

Components of the Sponsorship Letter

Narrative

1) The ‘To’ address

The ‘To’ address for a sponsorship letter is the address of the Schengen embassy in the home country of the traveler.

2) Opening salutations

Although the staff at the embassy consists of government-employed officials, they do not have any specific formal title by which to address them. A simple ‘Dear sir/madam’ will suffice.

3) The intention of the letter

The first thing you need to write after the salutation is the reason for the submission of the letter. In this case, it is a letter of proof that the sponsor is covering all the expenses that the visitor may incur during their visit to the Schengen country.

4) The intention of the visit

Here, you will need to state why the traveler wishes to visit the Schengen country. For a sponsorship letter by a friend or relative, the reason would be tourism or family visit.

5) Dates of travel

The embassy uses the traveler’s dates of travel to allot the visa dates. These are the dates between which the traveler can visit the Schengen country, after which they must return to the country of origin.

Writing An Inviting Narrative In A Dating Site List

Mention that you’ve booked the flight tickets for the specific dates between which the traveler is said to enter and exit the Schengen states.

6) Details of residence and details about the employer

In the case of the sponsorship letter, the residence and employer details pertain to the sponsor’s and not the travelers. The sponsor needs to mention where they live, who the owner of the house is, and provide property documents as proof.

They also need to mention where they are working/studying, who their manager/dean is, proof of employment/enrollment and an indication that the employer/university is aware of their intention to host the traveler in the country.

Writing An Inviting Narrative In A Dating Site Crossword Clue

Inviting

7) List of documents to be attached along with the letter

The sponsor too may need to submit supporting documents to verify their ability and interest to host the traveler at their home. The sponsor needs to mention (and attach with the letter) a copy of their passport, a copy of citizenship/permanent residency/extended student or work visa they possess, copies of bank statement proving financial credibility, salary slips and finally a proof of residence. Photos may be requested and must be attached if advised to.

8) List of places traveling to

If the traveler is planning to visit multiple cities or countries in the Schengen states, the sponsor must make known that they are well aware of these plans by mentioning the names of the places in the order of travel. They must also make known how they are sponsoring the travel and stay at these places by providing details of travel insurance, transport tickets, and any other information which they are expected to furnish.

Writing an inviting narrative in a dating site examples

9) Comprehensive itinerary

The cover letter by the traveler usually contains the itinerary. But since the trip is sponsored, it is assumed that the sponsor is planning the itinerary. The sponsor may provide a detailed account of the day-to-day travel, visit, and stay plans of the traveler in the Schengen countries, if they choose to. Proof of bookings may be requested, in which case, the sponsor would need to submit all reservation tickets to the embassy.

10) Ending salutations

Finally, end the letter with a formal request to the embassy to grant the traveler the visa and a re-affirmation that you (the sponsor) are completely responsible for the traveler and what happens during the visit.

Include a warm ‘Thank You’, accompanied by the sponsor’s signature, name, and the date of signing. Please remember that the signature needs to be genuine. Be sure to send the letter to the sponsor for the signature at the earliest.

Add the sponsor’s telephone number and email address at the end.

Sample Sponsorship Letter for Schengen visa

The sample inviting letter below shows a typical sponsorship letter for a Schengen visa from a friend.

To: Date:

Writing An Inviting Narrative In A Dating Site Meaning

Immigration Officer,
[Embassy Name][Embassy Address][Embassy Phone Number]

Re: Sponsorship Letter for [Applicant’s Name] with Passport No. __________________

Respected Sir/Madam,

I, [Inviting Person’s Name] currently residing at [Inviting Person’s Address], and a citizen/permanent citizen of[Country’s Name], am writing this letter to support the visa application of my friend, [Applicant’s Name].

The purpose of the visit of my friend, [Applicant’s Name] is to visit me and engage in tourism in [Country’s Name]. Our long-standing friendship has endured distance and time, and we have wanted to use the visit of my friend to reconnect and share old memories.

[Applicant’s Name] and I have been friends for [enter number of years or length of time]. We have [provide a description of activities or other events you have attended/done together]. This has led to us developing a close relationship and we have stayed in touch ever since.

[Applicant’s Name] will be visiting during the following dates: from [Provide starting date of visit in format DD/MM/YY] to [Provide ending date of visit in format DD/MM/YY].

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During the specified trip dates above, we will be visiting [Specify city/place names]. In addition, [Applicant’s Name] will be staying at [Provide InvitingPerson’s Address or Hotel Address]. The trip will be funded through [Provide means of funding].

Enclosures:

Writing An Inviting Narrative In A Dating Site Crossword Clue

  • Copy of inviting person’s Passport
  • Copy of inviting person’s other ID
  • Proof of relationship (you can attach pictures of events together or other supporting documents)
  • Proof of accommodation
  • Proof of return to home country (employment contract, property ownership, lease agreement, etc.)
  • Other applicable documents

We sincerely request that you consider [Applicant’s Name] visa application and please do not hesitate to contact me for any questions or inquiries at [Inviting Person’s Phone Number] or [Inviting Person’s E-mail].

Kind regards,

Writing An Inviting Narrative In A Dating Site Examples

[Inviting Person’s Signature]
[Inviting Person’s Name][Inviting Person’s Address][Inviting Person’s Phone Number][Inviting Person’s Email]

Writting An Iviting Narrative In A Dating Site

Final Thoughts on Sponsorship Letter for Schengen Visa Application

The visa sponsorship letter needs to be sent at least 90 days before the person actually visits the place. Writing this letter can greatly improve your chances of getting your Schengen visa application approved. The sample sponsorship letter should help you draft a proper letter for your visa application.